Welcome to Edinburgh (and hold on to your hat)!
The Edinburgh Fringe is the largest arts lollapalooza in the world. For three weeks every August since 1947, companies, individuals, and productions from around the world gather at venues across the city to perform in musicals, comedies, dramas, children’s shows, adult only shows, and spectacles of all nature. It is a grab-bag of delight and like Harry Potter Bertie Bott’s jelly beans, one never knows if you’ve just bought tickets to Green Apple or Earwax. This year’s Fringe has 2,050 shows, 250 venues, 18,626 performers and will generate more then last year’s £75 million for the Scottish economy.
At first glance, Edinburgh may appear grey, bleak, and abreast with scarves (punctuated by the occasional boa) in what should rightly be the dog-days of summer. Paper-thin summer dresses giggle from their suitcase and mock my inability to pack---I kick myself both in punishment and to harness the warming powers of friction. New Hampshire natives and Dartmouth students alike may sympathize with the humble gratitude that accompanies sunshine. I feel betrayed by my delusion of a Scottish tropical paradise; I had apparently drawn the wrong conclusions about a country where even the men wear skirts, I now know it’s not just the breeze they’re after.
Except for the occasional curses that still litter my thoughts on Scotland’s weather, I have developed a serious crush on this city. Like a coy lover in the early stages of a romance, Edinburgh has only shown me its best sides. The city is a carnival of color and as I roam its stoned streets, my neck swivels from astronauts, to opera-singing strumpets, to men in rabbit suits, and even the occasional near-nudist. Everyone is singing their own praises, pushing a rushed program into your hands, and promising that your life will never be the same, the critics gave it 4 stars, you won’t regret it, oh won’t you come?
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